Re-interpret the cuff watches of the 1960s-70s, that became a hallmark of Piaget’s audacity and pioneering fashion-focused creativity, this organic design references the free-form, hyper-naturalism of the era. With the signature oval dial half-hidden by the gold work of the bracelet that appears to grow over the case and ornamental dial. Each cuff is hand-engraved with different patterns and textures, highlighting Piaget’s expertise in the art of engraving and dedication to Métiers d’Or. The different styles of engraving demonstrate the combination of dexterity and artistic sensibility mastered by each individual artisan. The gold is incised, by hand, one line at a time, using the sharp tip of a burin, the lines varying in depth, width and direction to obtain the desired effect. Gold shavings are gently blown away from the surface by the goldsmith after each gesture. No two patterns of engraved gold are the same. Here, the golden bracelet reproduces the famous lines of the Palace Decor, and inset with a sapphire-framed case and dial of turquoise.
重新演绎了20世纪60年代到70年代的手镯腕表,这成为了伯爵大胆和开创性时尚创意标志,这个有机的设计参考了那个时代的自由形态和超自然主义。特征椭圆形表盘仅被手镯上的金工半遮蔽,看起来就像是从表壳和装饰表盘上生长出来的。每个手镯都由不同的图案和纹理手工雕刻,突显了伯爵在雕刻艺术和对艺术手工的专业知识。不同样式的雕刻展示了每位工匠掌握的灵巧和艺术感。黄金被手工一次一行地刻上,使用镦刀的锋利尖端,线条的深度、宽度和方向变化以达到所期望的效果。每次动作后,黄金匠会轻轻地将金屑吹走。没有两个雕刻的金图案相同。在这里,黄金手镯复制了宫殿装饰的着名线条,并嵌有蓝宝石镶边的绿松石表壳和表盘。