Vacheron Constantin returns its gaze to the earth with the Tribute to Tour de L’ile (Tower on the Island). This tower stands on a small island in the middle of the Rhône River—a beloved, recognisable local landmark. Its likeness has been immortalised in three single-piece limited editions, making it a fond, precious homage to the maison’s hometown of Geneva.
“Because the Tour de l’Île is a powerful symbol of Geneva’s commitment to freedom, independence and progress, we wanted to celebrate this anniversary by paying tribute to the city where our Maison was born 270 years ago,” says Sandrine Donguy, Vacheron Constantin product and innovation director. “The first clock was installed in the tower in 1583 at the request of the residents of St Gervais neighbourhood who wanted to measure the rhythm of their daily lives.”

“From 1843, Vacheron Constantin installed its workshops in the tower and displayed its signage on the façade,” she adds. “Today, we are proud to pay homage to this great historic landmark with these three anniversary watches.”
The Grand Feu enamel dial is a reinterpretation of Jean DuBois’ Tour de L’ile lithograph. It is achieved through a demanding enamelling process, beginning with the application of a fondant on the gold dial, while the tower is painted over multiple layers; the enamel is applied and fired at 800 degrees Celsius in a similar fashion. Here, the setting is the spectacle: the vibrant colours are reminiscent of streetside artworks, while the brown alligator leather strap gives off the impression of the old world. Yet, its 950 platinum case is unmistakably contemporary, grounding the timepiece in the present, while the past is kept inside.
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Meanwhile, the Figurative guilloché and Grand Feu miniature enamelling dial is based on an early 20th-century illustration produced by Charnaux, a photographic workshop and postcard publisher located on the Place de Bel-Air, right across the river where the Tour de L’ile stands. In place of colour, expressive lines and textured strokes bring the iconic tower to life. The hand-guillochage and Grand Feu enamel provide remarkable depth and perspective.
Inspired by an engraving by Pierre Escuyer in 1822, the 18-karat 5N gold Engraving dial matches that of the case, providing a sense of continuity and wholeness. The dial itself has been engraved in bas-relief. The master engraver first outlines the image—in this case the Tour de L’ile—and slowly carves away the metal. This allows the tower to physically stand out from its surroundings, emphasising it and its bell as the centrepiece.